Workshop | Maria Herranz: The Right to Speak

  • Benaki Museum 138 Pireos Athina, 118 54 Greece
"The Crying Body". Théâtre de la Ville de Paris. France working with Flemish director, Jan Fabre

"The Crying Body". Théâtre de la Ville de Paris. France working with Flemish director, Jan Fabre

Maria Herranz
Workshop: The Right to Speak 

Location: First Floor Workshop Space

This workshop explores the impulse of communication: when is it that speaking is necessary? Working as a group and in couples through simple exercises of presence, the text, which should be memorized, will be spoken aloud to the other person. We will explore the nature of the text and of speech, when the words seemed "pushed" forward and when we find the voice of truth within ourselves. We will also do some writing exercises that later will be used as text as well. Participants should have knowledge of the English language.

 

Maria Herranz
b. Bern, Switzerland
Maria Herranz studied acting with the Meisner teacher Maggie Flanigan in New York, and has an education in dance and a diploma from the Rambert School of Contemporary and Classical Dance in London. While in New York and Europe, she continued studying Shakespeare with Patsy Rodenburg and participated in various seminars with Karen Kohlhaas, Thomas Ostermeier, and with members of the “Labyrinth Company”: Stephen Adly Guirgis, Charles Goforth, David Deblinger, Shira-Lee Shalit, among others. It was through the “Labyrinth Company” that she wrote and directed her first one act play at the Bank Street Theater and directed “Apples” at the Cherry Lane Theater in New York. She worked as an actress with American film Director Deborah Kampmeier (director of “Hounddog", “Virgins”, and more) in “Split” and in “Early Learnings” with director and producer Chris Rodriguez (“Eat Pray Love”, “American Gangster” and more), as well as many others. As a performer, she worked with Marina Abramović for the MoMa exhibition “The Artist is Present”, the ADIDAS FIFA web video, and the Givenchy 2016 Fashion Week Show. In Europe, she worked with Jan Fabre for the Palais des Papes at the Cour d’Honneur in “Je Suis Sang” and “Histoire des Larmes”, as well as in “Crying Body” at the Théâtre de la Ville and “Tannhauser” in Teatro La Monnaie. Her own works have been shown at the Montemor-o-Novo Theatre in Portugal, Monty Theatre and Troubleyn Theatre in Belgium, and in Barcelona at the Teatro Lliura for the Festival Radicals, among others. She is currently working with director Alex Rigola in Federico Lorca’s play “The Public” that premièred at the Teatro de Abadía in Madrid and Teatro Nacional de Catalunya in Barcelona, and has an upcoming tour.